voice effects pedal TC Helicon VoiceLive Play Vocal Effects Processor – Stompbox.in
SKU: 29170329799
voice effects pedal

voice effects pedal TC Helicon VoiceLive Play Vocal Effects Processor – Stompbox.in

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Description

voice effects pedal TC Helicon VoiceLive Play Vocal Effects Processor – Stompbox.inFeatures Compact 3 button vocal multi effects stompbox with looping makes it easy to have professional sound Quickly create pro studio quality vocals with a suite of production caliber vocal effects VLOOP performance looper with undo redo and unlimited overdubs RoomSense mics automatically control harmony, no music theory required Powerful HIT function for punching on multiple effects with a single button press Aux input with Vocal Cancel lets you

Features

  • Compact 3-button vocal multi-effects stompbox with looping makes it easy to have professional sound

  • Quickly create pro studio quality vocals with a suite of production-caliber vocal effects

  • VLOOP performance looper with undo/redo and unlimited overdubs

  • RoomSense mics automatically control harmony, no music theory required

  • Powerful HIT function for punching on multiple effects with a single button press

  • Aux input with Vocal Cancel lets you plug in an MP3 player and sing with your favorite music

  • 200+ song- and artist-inspired presets, with hundreds more presets available online

  • Practice function with statistics collection and real-time pitch display gives you valuable feedback on your singing

  • Adaptive Tone for perfect EQ, compression, de-essing and gating

  • USB for streaming audio, preset downloads and firmware updates

  • Compatible with remote Mic Control using the TC Helicon MP-75 or MP-76 microphones

  • Optional SWITCH-3 foot switch for extended performance control

A Produced Vocal Tone - Anywhere

Producers spend more time on perfecting vocals than any other instrument; the number of layered vocal tracks on a studio recording often run well into the double-digits. VOICELIVE PLAY makes this studio magic available to every singer - everywhere.

The Vocal Sounds You Love

Automatic backing harmonies, vocal double tracking, pristine EQ and compression, lush reverbs, hard-tuned robo-voice – all the goose-bump effects that make today’s Billboard hit vocals truly stand out are yours.

Hit Performances & Attractive Practice

The HIT feature gives you total control to punch in a stunning harmony or other effects precisely when it’s right for your song. When you’re not on stage, plug in your MP3, choose “Vocal Cancel” and practice with your favorite tracks – complete with statistics on your voice.

The Complete Vocal FX Pedal

1. Access your effects directly, choose the presets you want and find the styles you like.

2. Easily browse hundreds of preset sounds.

3. Add dazzling effects for the chorus, or strip it down for the verse, you decide!

4. Dedicated outputs for your voice – plus inputs for head phones, auxiliary devices, an expansion pedal and USB for updates and new presets.

Watch It Work

Get ready for a hit performance with the effects you want and features such as Genre, Looping, Effect Editing, Practice Mode, RoomSense, Harmony and more. Product specialist Tom Lang takes you for a tour in this video...

Vocal FX Highlights

    •   Quick & easy access to Hundreds of effects presets
    •   Total Harmony control
    •   Create your own custom sounds
    •   Adaptive Tone = your personal sound engineer
    •   VLOOP performance looper

µMod

µMod, pronounced “micro mod” contains effects that chorus, flange or otherwise modulate the signal. These effects can range from subtle to extreme.

Delay

Also known as Echo, delay repeats the input sound in various ways, from single “taps” to multiple panned asynchronous repeats. Often, delay is mistaken for reverb in a song. It’s typical in a recording to use a small amount of both delay and reverb to create the desired spatial effect.

Reverb

Short for Reverberation, reverb simulates an acoustic space like a concert hall or a bathroom. Typically, slower songs use longer reverb and faster songs use shorter reverb.

Harmony

Likely the most popular and impressive of our effects suite, Harmony creates up to 8 voices of harmony (varies by product), based on your vocal input and surrounds you with professional sounding backup singers. Once you’ve added harmony to your performance, we think you’ll never want to sing without it.

Double

Doubling creates an effect that makes your voice sound “larger” in the mix. It’s an extremely popular effect in a wide variety of musical styles from Pop to Hip-Hop and everything in between.

HardTune

Some people know it as the Cher or T-Pain effect. We call it HardTune. It’s a very aggressive form of pitch correction that forces the voice to “jump” from one note to the next in an almost robotic way. The effect works the best when confined to a set scale, where the intervals between notes are more noticeable. To get the most out of the effect, you’ll need to adapt your singing style to help accentuate the way that your voice shifts from note to note. Try sliding between notes.

Transducer

Any effect that provides overdrive, distortion or filter falls under Transducer effects. You’ll find effects like Megaphone, Radio, Amplifier Emulation and more here. Always take care when using transducer effects in a live situation. Due to the extreme gains and eq’s imparted on the signal, these effects are very prone to feedback.

Total Harmony Control

Never worry about your key when selecting harmonies. VoiceLive Play actually listens to your MP3 player (via AUX link) or your computer (via USB). And our embedded RoomSenseTM mics can control your harmonies simply from the sounds of nearby instruments.

Dial in Your Custom Sound

When you choose an effect you’ll immediately see a unique icon making it easier to quickly find the sound you’re looking for. We call it icon based editing - it's intuitive and simple to use. You easily move through screens, pick your style, tweak some parameters and, voila, you now have your own vocal sound which you can recall any time.

Transform Your Singing with Loops

The VLOOP performance looper allows you to create vocal loops for solo jamming or impressive layered live performances. VLOOP is also handy for soundcheck: record a short phrase and walk out into the audience to check levels while your “virtual you” plays!

Your Personal Engineer - Adaptive Tone

Adaptive Tone technology intelligently controls Shape EQ and Dynamics (Compression & De-ess) to provide the perfect tonal balance and add smooth dynamic control to fit in any mix. Best of all it’s easy: just set and forget. An adaptive gate can also be added to help suppress feedback and reduce bleed.

RoomSense Mics

Embedded stereo RoomSense mics can control your harmonies from instruments nearby, replace the cabled mic for headphone practice or add a bit of room ambiance to your headphone mix.

More Mic, More Control

Now you can control your FX from a mic engineered for the sonic realities of modern vocal performance. Add the TC Helicon MP-75, or the Sennheiser e835 FX.

Extend FX Control with Stompbox Expansion

Add a Switch-3 accessory pedal to your setup to extend your on-the-fly control of VoiceLive Play’s features. Put Delay on the first switch, your favorite Harmony on the second, and a Scale/Key shortcut on the third – or any custom combination of Vocal FX - or even Looping.

VoiceSupport

VoiceLive Play will evolve with you - VoiceSupport gives you new FX presets, new firmware updates, and maintains your personal database of presets. All you need is a Mac or Windows computer with a USB input.

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 29170329799

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4.8 ★★★★★
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Product Reviews
M
Verified Purchase
Matthew
Louisville, US
★★★★★ 1
Poor read
Format: Paperback
Not worth the hype. Was poorly written and had to put it down and not finish it.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 20, 2025
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Verified Purchase
T
Lexington, US
★★★★★ 4
Great story
Format: Paperback
I’m not an avid reader, but this was finished in a few days. Such a good book!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 14, 2025
A
Verified Purchase
AMD
West Palm Beach, US
★★★★★ 3
Won’t be buying book two.
Format: Paperback
Entertaining enough but poorly written. Lots of typos. Won’t be buying book two.
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Reviewed in the United States on July 8, 2025
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Dr.C.J.Singh.Wallia
Carnegie, US
★★★★★ 5
An Excellent Primer on Novel-Writing
Format: Paperback
WIRED FOR STORY By Lisa Cron Reviewed by C J Singh (Berkeley, California) Excellent Primer on Novel-Writing In Berkeley, California, we happily have access to four independent bookstores that display literary novels and creative-writing craft books. Browsing, I picked up two books by Lisa Cron on using "Brain Science" for writing fiction. The jacket quote by Caroline Leavitt rivetted my attention: "I'd never consider writing a novel without Lisa's input, and neither should you." As a longtime fan of Leavitt's novels "Is This Tomorrow," " Pictures of You, " "Girls in Trouble," I looked up Stanford Continuing Education where Leavitt regularly teaches online courses. As a Stanford Alumnus (Psychology PhD), I've taken several on-campus and online workshops on fiction-writing. While still at the bookstore, I promptly signed up for Leavitt's soon-to-begin course that uses two coaching books: Cron's Wired For Story and John Truby's The Anatomy of Story. I'm familiar with Truby's book and its nine excellent exercises. See my detailed review on amazon: https://www.amazon.com/review/R29NU7U6LAHGBV/ Here's my review of Lisa Cron's "Wired For Story" "WIRED FOR STORY' presents a unique, distinguishing feature among fiction-writing primers: throughout its text, the author includes excerpts from the published works of leading contemporary brain-scientists that validate the principles of narrative craft. Cron explains the principles of narrative craft in twelve well-organized chapters that focus on theme, the protagonist's issue, characters' bios, points of view, rising conflicts, subplots, suspense, reveals, and the arc from setup to payoff. At the beginning of each chapter, she presents sentences in italics that illuminate the cognitive-science underpinnings of narrative craft. Examples follow. "Cognitive Secret: When the brain focuses its full attention on something, it filters out all unnecessary information. Story Secret: To hold the brain's attention, everything in a story must be there on a need-to-know basis" (page 23). . "Cognitive Secret: Everything we do is goal directed and our biggest goal is figuring out everyone else's agenda, the better to figure out our own. Story Secret: A protagonist without a clear goal has nothing to figure out and nowhere to go" (p 65) . "Cognitive Secret: It takes long-term, conscious effort to hone a skill before the brain assigns it to the cognitive unconscious. "Story Secret: There's no writing; there's only rewriting" (p 219). Also remarkable are sentences in bold that challenge advice offered in some writing-craft workshops and books. Examples follow. "Myth: Write What You Know. "Reality: Write What You Know EMOTIONALLY" (p 62). . "Myth: Sensory Details Bring a Story to Life." "Reality: Unless They Convey Necessary Information, Sensory Details Clog a Story's Arteries" (p 118). . "Myth: `Show, Don't Tell' Is Literal - Don't Tell Me John Is Sad, Show Him Crying. "Reality: `Show, Don't Tell Is Figurative - Don't Tell Me John Is Sad, Show Me WHY He's Sad" (p 152). Has the author introduced a Myth of her own? I am afraid so. On page 57, "No matter whose point of view you're writing in, you may be in only one head per scene." In my opinion, the Reality is: No matter whose point of view you're writing in, you may be in only one head per PARAGRAPH. This is the new reality -- virtually every fiction-readers' perception has been reshaped by watching films and TV dramas that imply the camera engaged in frequent head-hopping in a scene. At the end of each chapter, Cron presents a concise series of checkpoints to remind the readers while they develop their work-in-progress. Throughout, she includes many examples from literary works and films. Literary works like Gabriel Marquez's "Love in the Time of Cholera," Margaret Mitchell's "Gone with the Wind," and Caroline Leavitt's "Girls in Trouble." Films like "It's a Wonderful Life," "Vertigo," and "American Graffiti." An inspiring citation for writers: " `Recent breakthroughs in neuroscience reveal that our brain is hardwired to respond to story.... It turns that a powerful story can have a hand in rewiring the reader's brain -- helping empathy, for instance - `which is why writers are, and always have been among the most powerful people in the world'. " (On p 239 of Endnotes is the specific citation of three scientists' 2009 article "On Being Moved by Art: How Reading Fiction Transforms the Self" in the Creativity Research Journal vol. 21, no.1 ) WIRED FOR STORY fully earns its title with its numerous citations of recent contributions of neuroscience that validate narrative craft. Examples of cited works included are: V. S. Ramachandran's "The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human"; Michael Gazzaniga's "Human: The Science Behind What Makes Your Brain Unique; and Steven Pinker's "How the Mind Works." These stellar books illuminate the nexus between art and science; their shining light reflects on Lisa Cron's book as a five-star primer for novel-writing.
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Reviewed in the United States on March 7, 2020
M
Verified Purchase
Matt M
Bozeman, US
★★★★★ 5
Will reading Wired for Story really make you smarter?
Format: Paperback
In my 36th year as a would-be and penniless writer, I found myself exiled to a dark rough and tumble city in the Far West, guns blazing as a steely-eyed wordslinger for hire. But then one day I stumbled upon Lisa Cron's book Wired for Story. The book's title had my curiosity. A few sample pages later grabbed my attention and has held it ever since. But the price wasn't right for a poor, humble English teacher living in China upon a Chinese salary. I had bills to pay, a mistress to please, and habits to feed. It seemed to me that Amazon.com was colluding with other dark powers to suck humanity dry; why else would they charge more for a digital book than its paper copy? But then I heard ghostly voices, the cinematic intonations of Morpheus telling me to choose between the red and blue pill; Obiwan Kenobi, "Use the Force"; Nike commercials, "Just Do It!"; and other such shadows flickering upon the wall of my TV room. Even this very particular retail website seemed to whisper across all the vastness of cyberspace, reminding me of my destiny via a personalized showcase of products, that I was not just born to buy... So I added it to my cart. About a download and two chapters later I found that I was still happy after the post-purchase buzz ran its course. This book should be required reading for all writers - and anybody else seeking an inoculation against the raging pandemic of competing narratives spewed out from marketers, pundits, prophets, and others posing as guardians of the truth - most of whom seem to be more enraptured than enlightened. For writers though, Wired for Story is quite different from other "how to" books, as Lisa Cron approaches the craft of storytelling from a neuroscientific point of view. She makes the case that writers aren't just entertainers: they are some of most powerful shakers and shapers of human perception. So if storytellers are like snake oil salesmen, then what is the difference? Both seem to be highly skilled in crafting story, using imagery, and evoking emotions, memories, desires. The difference is all about marketing. Salesmen claim to have knowledge, skills, and expertise, that they, and they alone have whatever it takes to get the facts right and fix things. They market their brands cloaked in story, as if they have a monopoly on truth, or at least the can-do spirit and problem-solving experience needed to improve the economy, save the world, whatever. It doesn't matter that time and time again reality proves them wrong; they will always have another story to spin. The difference between those who would use the power of story to express themselves versus those who would use it for personal gain is, perhaps, a fine red line marking the shadowy borders of between ethics and morality. Storytellers differ because they use words to hook audiences and manipulate a willing reader's central nervous system. They make no claims to knowledge or expertise. Indeed, fiction writers will be first to emphasize their work is fictional, and not based on any real life events or people. Their best writing leaves readers thinking, questioning, minds opening, empathizing, expanding their worldviews, the list goes on almost ad infinitum. Storytellers speak for themselves and let audiences think for themselves; pundits speak for others and tell audiences what to think. What's more, the art and craft of story, as well as the talent and hard time in solitary confinement required for their honing, is estimated to take an average storyteller at least 1,000,000 words or 10,000 hours - not including all the reading, language arts development, and life experience necessary to get to a point one needs to seriously embark on such a ludicrous and un-economical vocation. This means that fiction writers who risk everything for dubious prospects of financial reward must have something else driving them - and a good day job. A presidential candidate though, who has genuinely done the time, and crafts speeches with the skill of a poet or bard, should hypothetically have the critical thinking background, moral authority, and empathy to be a great leader. But in the final analysis, actions contradict words; their ability to spin tales proves the old universal theme that the pen is mightier than the sword. Now when I finish Wired for Story sometime this week, I will be one step further on this endless quest to actually sell stories for a living (i.e. stories fit for the fiction aisle of an actual bookstore, not a review for an online retailer). Until then, I'm probably just a hypocrite acting as if a single book alone makes a smarter man, when in fact I know little of anything (which is why I became a writer in the first place) -- or maintaining such a humble pretense. But I don't know myself well enough to be certain. That kind of exploration would be a whole other story - but it would be unsafe to say that I lived happily ever after reading this book. The End
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on October 11, 2012

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