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Description
sustain pedal vs expression pedal Boss EV-1-WL Wireless MIDI Expression PedalTake command of your MIDI music gear with the BOSS EV 1 WL, the worlds first wireless MIDI expression pedal. The EV 1 WL provides wireless foot control for BOSS products such as the EURUS GS 1, Waza Air, and Katana Air music apps on mobile devices, and anything that can receive CC messages via Bluetooth MIDI. In addition, USB and MIDI TRS connectivity are on hand for wired control of computer music software and standard MIDI devices. Whether you go
Take command of your MIDI music gear with the BOSS EV-1-WL, the world’s first wireless MIDI expression pedal. The EV-1-WL provides wireless foot control for BOSS products such as the EURUS GS-1, Waza-Air, and Katana-Air music apps on mobile devices, and anything that can receive CC messages via Bluetooth® MIDI. In addition, USB and MIDI TRS connectivity are on hand for wired control of computer music software and standard MIDI devices. Whether you go wireless or wired—or both at once—the EV-1-WL delivers a ton of MIDI power in a compact footprint.Expand Your Performance Range with Bluetooth
The EV-1-WL is the ideal creative partner for the growing range of music performance hardware with Bluetooth wireless support. Use it to control pitch bend, filter, and other synth functions in the BOSS EURUS GS-1 guitar. Or add external footswitches to create a mini Bluetooth pedalboard for patch selection, wah/volume control, and more in the Waza-Air and Katana-Air wireless guitar amp systems. The EV-1-WL can also communicate wirelessly with a standard 5-pin MIDI device that has the Roland WM-1 Wireless MIDI Adaptor installed.
Wireless MIDI Control for Computers and Mobile Devices
Pair the EV-1-WL via Bluetooth with Mac computers, smartphones, and tablets to interface with music apps that support remote operation with MIDI CC messages, from guitar amp simulators and effects to virtual instruments and music production software. And if you’re a Windows user, you can add a Roland WM-1D dongle for wireless communication with the EV-1-WL.
Plug-and-Play via USB
The EV-1-WL also works as a standalone USB MIDI controller for music software on Mac or Windows computers. The class-compliant interface means there are no drivers to install—simply plug in with a USB cable and configure your software as needed for external MIDI input.
Control MIDI Stompboxes, Multi-Effects, and More
With its space-saving TRS MIDI output, the EV-1-WL is a powerful accessory for all types of MIDI music hardware, from effect pedals and multi-effects processors to keyboards, drum machines, and beyond. Use a TRS-to-TRS cable with mini plugs to connect with BOSS pedals equipped with TRS MIDI, including 200 series effects and the RC-5 and RC-500 Loop Stations. Or grab the BOSS BMIDI-5-35 cable to connect with any device that has a standard 5-pin MIDI input jack.
Deep Customization
The free EV-1-WL Editor app for iOS and Android devices lets you customize MIDI CC assignments for the EV-1-WL’s pedal, toe switch, and up to two external footswitches. The Bluetooth, USB, and TRS MIDI outputs support simultaneous operation, and you can create independent control settings for each. It’s also possible to set the switches for momentary or latching operation, adjust the pedal’s response curve, and more.
- Powerful MIDI control pedal with three ways to connect: Bluetooth wireless, USB, and TRS MIDI
- Use all three outputs at once with independent MIDI CC settings for each
- Communicate wirelessly with the BOSS EURUS GS-1, Waza-Air, Katana-Air, and any device that supports Bluetooth MIDI
- Class-compliant USB for plug-and-play operation with music software on macOS and Windows computers
- TRS MIDI output for controlling MIDI devices with TRS or 5-pin inputs
- Supports communication with the Roland WM-1 and WM-1D wireless MIDI adaptors
- Built-in toe switch with on/off indicators on both sides of the pedal
- Control input for up to two BOSS FS-series footswitches
- Dedicated iOS/Android app for assigning MIDI CC numbers, customizing the response, and more
- Powered with two AA batteries or BOSS PSA-series adaptor
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4.4 ★★★★★
Based on 2446 reviews
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Product Reviews
★★★★★ 5
captivating story..
Format: Kindle
Wow.. you’re at a photo shoot in the jungle and suddenly you’re being attacked by natives making a daring escape, jump in a waterfall, float down a raging river to the ocean. Find yourselves stranded on an island for 3 months Helen and Lana fell in love.
This was a captivating story, well told, Helen and Lana anguish felt real.
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Reviewed in the United States on February 15, 2026
★★★★★ 5
Loved this story
Format: Kindle
This is hands down one of the best books I've read. The plot was great, the characters were sexy, intense and just explosive. I did not stop reading until I finished the book. Was hoping for a better ending since it was such a wonderful book. When I saw it was reprinted I figured that was why due to the ending being rushed. I'm still giving 5 stats due to their chemistry and the intense love they shared on and off the island beyond their rescue. I just wanted more for them at the end, and the the loser husband to get what he deserved.I look forward to maybe a second book on their passionate love story.
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Reviewed in the United States on March 10, 2024
★★★★★ 3
DNF
Format: Kindle
I decided to read this based on another review here. I started skipping and couldn't finish it. The writing is good but the behavior of the MCs put me off at times. Our parents took us camping (not car camping) a lot through my teens and the lesson was, from my youngest age, if the excrement encounters the turbine, get your bearings, assess, make a plan, follow it -- no time for drama. There would always be time for a freakout once the situation was resolved. (And if it wasn't resolved, freaking out wouldn't be an option.)
Apparently, neither Helen nor Lana were ever taught that lesson because there's plenty of drama, and I lost respect for them. Worse, the drama continues with this endless back and forth right up to the very last page. I actually blinked. I've read rushed endings before, but this took the cake.
Overall, this is a portrayal of women that bugged me. It felt almost stereotype-y regarding being overly dramatic and unable to keep it together under stress. Maybe I just hit the bad parts, but I couldn't keep reading to find out, in case there were more, and the repeated drama after the rescue didn't give me hope.
Please, Sapphic authors, can we have more books celebrating feminine resilience? Cara Malone has a pretty good one about a bunch of shipwrecked queer women. We need more of that, and less of this.
I'm giving this book 3 stars because the writing is good and I didn't finish, so may have missed better parts.
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Reviewed in the United States on July 23, 2024
★★★★★ 5
If you can only afford one craft book on Dialogue, this one is it.
Format: Hardcover
The art of dialogue. How does a writer get it just right to be effective, yet original, dramatic but not too dramatic, captivating and satisfying, and most important of all convincing? The thrust of this book is how McKee spends time on characterizations and the art of the subtext—vital to thrilling and effective dialogue. McKee explains how subtext works, the thinking behind it, shows you its most effective moments, why it works well or poorly, and gives you the tools to make it work. The result: amazingly clear insight. No kidding, if you want to fully understand subtext in dialogue and sharpen your skills, this is the writing book to get.
Conflict in dialogue, turning points, even sentence designs techniques. McKee describes the “suspense sentence” and the “periodic sentence.” Because prose is a natural medium for storytelling, you will learn how Charles Dickens used ‘counter pointing exposition’ and its effectiveness for the reader. I hadn’t seen this kind of hook in writing before, hadn’t heard this term before. Very powerful technique; of course none of us writes like Dickens, but what an example on how to swoop the reader in.
What’s one of the takeaways in Dialogue by Robert McKee? “Quality storytelling inspires quality dialogue.” Which inspires a read of McKee’s other remarkable craft book “Story”—a great companion read as both books belong on any serious writer’s bookshelf.
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Reviewed in the United States on July 28, 2016
★★★★★ 5
It's All Right Here. All of it.
Format: Hardcover
I shouldn't even be writing this review because doing so only creates my competition. I'm writing it for Robert McKee out of respect and love for him as one of the best instructors I've never met. I have both STORY and now, DIALOGUE in hardcover, on my Kindle, and the audio version (he narrates his books) in my headphones. I read it, I listen to it and take it with me when I travel. Sometimes I listen and read at the same time. Most nights I listen to the audio version in my sleep. In other words, I eat, sleep and breathe this book. I did the same thing with Story, his other book. I may go to my grave never fully comprehending the vast wealth of knowledge contained in these two books. That's OK. What I can tell you is this. With nothing but STORY as my guide, my very first screenplay took seven months and thirty-five drafts from start to finish. But. That screenplay became a Hallmark Movies and Mysteries feature film. The producers liked it so much they gave me another assignment. That one took six weeks, and they bought the first draft. I'm now working on my fifth script; this one is in the six-figure category, with five figures upfront just for the Treatment. And I owe it all to everything I've learned from studying Robert McKee, supplemented by what I learned from everyone else. Over the past thirty years, I’ve studied with forty plus instructors and highlighted hundreds of books and listened to dozens of recorded seminars. All that information is summed up and thoroughly explained in Robert McKee's two books STORY and now DIALOGUE. I won't live long enough to absorb everything he teaches. And I still study two hours a day as a warm up for my writing. I’d recommend Aaron Sorkin, Warner Hertzog, William Goldman (both Sorkin and McKee say he's the greatest), Blake Synder, Chris Vogler, Michael Hauge, William Akers, and anybody else you can find who’s willing to share their knowledge. Because you never know when a concept you didn’t realize you didn’t understand or needed is going to show up. Especially when presented from a different perspective. Having said that, if you are serious, and I mean dead serious, about becoming a working screenwriter, or any other kind of fiction writer for that matter, then you have no choice but to study McKee like your literary life depends on it. Buy the hardcover, buy the Kindle version, and buy the audio version of DIALOGUE and STORY. And supplement these two works with any other material that speaks to you. If you do this, you will become a first class screenwriter or novelist or playwright, because all three genres are only different ways of presenting a Story. If you can’t commit to this, unless you’re a genius or prodigy, you’re wasting valuable time which could be spent following your true life calling. But if your heart’s desire is to become a working writer, then sooner or later you’ll have to know everything in McKee’s two books. So, you might as well bite the bullet and jump in head first. It's all right here in STORY and DIALOGUE. All of it. Thank you, Mr. McKee. You, sir, changed my life.-- Jimmy Hager
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 21, 2016
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